Okay folks! I think I’m going to simply post the finished results first before I go into any of the detailed process of how I created today’s drawing. I’d like to thank J.B. for providing part of the subject matter and my sister Yvonne for helping out with the title. Continue reading YA GONNA EAT ALL THAT? – carbon, charcoal and graphite drawing.
Finally! Here it is! The final charcoal and carbon portraiture drawing commemorating the classic, Hollywood western known as The Good, The Bad and The Ugly. I end this series with Clint Eastwood, who played the fast drawing bounty hunter “Blondie”, wearing his signature poncho, battered hat, and burning stogie. Continue reading CLINT EASTWOOD “Blondie” – Part III of “The Good, The Bad, and The Ugly” tribute.
Okay folks. Here is my second portraiture for Part II in the series for my tribute to the Hollywood western movie classic The Good, The Bad, and The Ugly. Just going to show pictures first and the write-up will be placed below for those who are simply “lookee Lous” so they can skip the details. Continue reading ELI WALLACH “Tuco” – Part II “The Good, The Bad, and The Ugly” drawing
Today I’m posting a recent drawing commission of a favorite fishing spot that I was asked to render. Not much of a story for me to tell other than a few bits and pieces about what I used to create the piece. I can say that the person who gets to fish there sure is lucky…..and it ain’t Kansas either. Continue reading SERENITY – recent commissioned charcoal drawing
Okay. I want everyone who thinks that the GREATEST classic western movie ever made was, is, and always will be: “The Good, The Bad and The Ugly”. Come on now. Raise your hands. You know it – I know it. So, come on now…don’t be shy. You know you want to. Yeah…..THERE you go. Much better. Huh? Wait a second! Wait just a second! Terry Lynn! Don’t make me come over there and kick your backside! You get that hand up! Ahhhhhhh….there….much better. Much better. Now…let’s continue, shall we? Continue reading LEE VAN CLEEF – “Angel Eyes”: Part I Tribute to “THE GOOD, THE BAD, and THE UGLY” (charcoal on carbon)
I have many friends from foreign countries, many friends, and almost every one has told me over and over again: “Mark. You have no idea how much Hollywood has influenced the culture, even our culture.”, so says my friend Bernardo from Croatia, Flavio from Italy, Gaurav from India, and Malkiv from Bulgaria. All of these gentlemen are near my age to slightly younger, and they all have a passion for the iconic actors and actresses of Hollywood yesteryear. And their favorites mostly come from the old, great westerns. Continue reading JOHN WAYNE in “RIO BRAVO” – Tribute in portraiture to an American Icon
This is a drawing I completed in October of 2016. My oldest sister suggested that I do some wildlife, or perhaps some horses, since many people who live in the area like or raise horses. Having never drawn a horse before, I thought it was a good idea, so she went down a ways from her country home and took a few photographs of her neighbor’s horses. The drawing that follows is a result from her photographic adventure. Continue reading SHARING A SECRET – charcoal on carbon
The title of this drawing came about as a bit of irony, which I was pondering one day while watching fish eat flies and bugs from the surface of a nearby pond. How the idea came into my head…..I have no idea. Continue reading “PERFECT TIMING” – charcoal, carbon, graphite drawing
If I’ve said it once, I’ll say it a thousand times: I’m a big fan of William Adolphe Bouguereau and he is one of my top five favorite artists of all time. His paintings are timeless, realistic, sensual, and brilliant. So how does a scribler like me, attempt to render a masterfully colored painting into black and white, using charcoal and carbon? Continue reading “MEDITATION” – Tribute to William Adolphe Bouguereau
Sometimes, just sometimes, the darndest drawing ideas pop into your head when you least expect them. I’m not one that goes searching for something to draw. I often like to replicate other famous oil paintings but in charcoal and carbon. If I feel graphite might be needed, then I’ll try to use it sparingly (I’m not a fan of the stuff, myself).